The book includes the continuing
characters and locations of Burning Cove, including, Luther Pell, owner of the
Paradise night club with connections to government espionage and the mob, and Oliver
Ward who owns the exclusive Burning Cove Hotel married to Irene Ward, star
crime reporter at the Burning Cove Herald.
Vivian is protected from the assassin by
Nick Sundridge, a person afflicted with the family curse of visions of the
future. The topic of debilitating family curses is one theme of this book. The
other is the evolution of art photography with realism versus impressionistic,
and the tension between art nudes and pornography.
On a personal note, Vivian observes: “The
big camera was the badge of the news photographer. Cops rarely questioned a
freelancer who carried one.” The camera in the book was the Graflex Speed
Graphic, the standard from World War I to the 1960s. This was a large camera that
took sheet film. The film carrier had to be exchanged for each picture, so in
addition to this bulky camera, the photographer also carried a supply of loaded
film carriers (4” x 5” x 0.5” each). I can attest that the observation was true
because along with a friend of mine we carried that camera into places we’d
never been allowed otherwise.
A pleasant mystery of glamour and
romance in the 1930s.
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