Evidence by Jonathan Kellerman begins with the murder of a couple apparently in the midst of making love on the top floor of an unfinished mansion in the exclusive Holmby Hills section of Los Angeles. From there, like a chaotic fractal, the plot branches and expands, with each vector revealing more directions for further investigation. Each sub-plot expands into further sub-sub-plots, seemingly recursively without end. Just a sampling: the rumored, long-ago disappearance of a blond girl seen in the company of an oil-rich playboy from south-east Asia, the fruitless FBI investigation of eco-terrorism in the pacific northwest, a high-school romance gone bad, the murder of a part-timer in the Medical Examiner's office, and another murder of a crazy old man who believed the unfinished mansion rightfully belonged to him.
But, in a wonderfully Dickensian fashion, none of these are feints or red-herrings. For in the end all is revealed to be part of a single unified story!
A fine tale of relationships and Los Angeles.
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